Awards & Recognition

  • Grand Prix "Zlatko Slavenski" Award, Skopje Light Art Festival, North Macedonia

  • Top Ten Finalist, Zsolnay Light Art Festival, Hungary

Selected Exhibitions

  • EXPO 2025 World Expo, Osaka, Japan

  • Ars Electronica Festival, XRE's Ars Electronica Festival Garden NYC Portal, New York

  • Japan Annual-Intl. Art Festival, UNESCO World Heritage Site Daigo-ji Temple, Kyoto

  • Art Dubai, NFTAsia,New Media Section, UAE

  • ARTECHOUSE, NFT Art Showcase, Washington DC

  • Tokyosaï, Magasins Généraux, Paris, France

  • #GROWINTHEDARK featuring Eri Harigai, Tokyo Love Hotels, Tokyo, Japan

  • “Secret Room” as part of Van Gogh x Japan, Theatre Of Digital Art Dubai (TODA), UAE

  • Temporal Vision Public Billboard Feature, Times Square, New York

Talks & Presentation

  • Invited Speaker, 'Color, Time and the Blockchain,' a DMINTI x MOCA Presentation

  • Invited Presenter, 映像作家100人+NEWCOMER100,
    '100 Japanese Motion Graphics Creators +NEWCOMER 100” Event

Press & Publications

  • Featured In: Harper's Bazaar Arabia, Metropolis Tokyo

  • Publication: 映像作家100人, 100 Japanese Motion Graphics Creators + NEWCOMER 100 Book

Eri Harigai is a new media artist working between physical craft and digital technology. Her practice combines traditional techniques, sculpture, electronics, and moving image to create hybrid artworks exploring the relationship between human-made processes and machine systems.

Drawing from her cross-cultural background and experience in immersive media, her recent works explore preservation, transformation, and the human touch within technological systems.

Her work has been exhibited internationally at ARTECHOUSE, Theatre of Digital Art, and Expo 2025 Osaka, alongside exhibitions and festivals across Asia, Europe, and the Middle East.

PAUSE/PLAY (2025)

Fabric, repurposed electronic components, embedded LED matrix display, digital moving image
Presented at: ARTGUMI Nanikore Exhibition, Roro Artspace, (2025)

PAUSE/PLAY was created in response to a moment of interruption during the creative process: an AI system halting generation after reaching a usage limit. The work exists as a physical and digital twin, combining traditional tsumami zaiku techniques with repurposed electronics and an embedded LED display looping paywall error messages.

The work examines how AI-assisted creation increasingly depends on access, subscriptions, and permission. It contrasts the persistence of hand-made craft with the conditional nature of contemporary AI systems, questioning how creative freedom may be shaped by systems of access and restriction.

Technical Process
Traditional tsumami zaiku fabric folding was used to construct the physical sculpture, combined with repurposed electronic components and an embedded LED matrix programmed to loop paywall error messages. A digital twin was developed in 3D animation to mirror and extend the physical work.

Sitting with my failures again (2024)

Resin sculpture, embedded text, digital moving image
Presented at: ARTGUMI B.U.T.T Exhibition, Chignitta Gallery, Osaka, 2024

Sitting with my failures again began as a hand-made flower sculpture containing personal failures and mistakes from recent years, embedded within its form. Before being placed into the sculpture, these written records were translated by AI into gibberish, transforming personal experiences into unreadable but preserved fragments within the work.

The sculpture was then digitally preserved through NeRF scanning, creating a digital counterpart of a physical object that existed only in that exact form and moment. Moving between physical artifact and digital preservation, the work explores how personal experiences can pass through both human-made and machine-assisted processes, extending their existence beyond the original object.

Technical Process
A resin flower sculpture was created as the physical foundation of the work, embedding AI-translated fragments of personal writing within its form. The sculpture was then preserved through NeRF scanning and reconstructed into a digital counterpart.

Latent Quietude (2023)

Miniature sculpture installation, digital moving image, sound
Award: 3rd Prize AI Category, We Love the Art Contest, OPTIMISM Blockchain

Latent Quietude was the starting point of exploration into AI as a collaborative tool rather than a purely generative one. Inspired by the calm and sensory experience of walking in nature, the work explores the relationship between the organic and the machine.

The piece began as a hand-built miniature installation. It was then 3D scanned and expanded into an audiovisual digital world using AI-assisted sound, image, and motion generation. By moving between handmade craft and machine-assisted expansion, the work explores how AI can extend human-made ideas while preserving the presence of the human hand.

Technical Process
A hand-built miniature installation was created as the physical foundation of the work, then 3D scanned and expanded into an audiovisual digital environment using AI-assisted sound, image, and motion generation. Final composition was assembled in Blender and Adobe After Effects.

Latest Exhibitions